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		<id>https://multiversemush.com/mw/index.php?action=history&amp;feed=atom&amp;title=1944%2FCatP_-_Finale_II</id>
		<title>1944/CatP - Finale II - Revision history</title>
		<link rel="self" type="application/atom+xml" href="https://multiversemush.com/mw/index.php?action=history&amp;feed=atom&amp;title=1944%2FCatP_-_Finale_II"/>
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		<updated>2026-09-23T12:36:31Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://multiversemush.com/mw/index.php?title=1944/CatP_-_Finale_II&amp;diff=10741&amp;oldid=prev</id>
		<title>Lord English at 03:52, 24 September 2015</title>
		<link rel="alternate" type="text/html" href="https://multiversemush.com/mw/index.php?title=1944/CatP_-_Finale_II&amp;diff=10741&amp;oldid=prev"/>
				<updated>2015-09-24T03:52:15Z</updated>
		
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&lt;table class='diff diff-contentalign-left'&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;col class='diff-marker' /&gt;
				&lt;col class='diff-content' /&gt;
				&lt;tr style='vertical-align: top;' lang='en'&gt;
				&lt;td colspan='2' style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan='2' style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Revision as of 03:52, 24 September 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l48&quot; &gt;Line 48:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 48:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:'''{{#var:33|Arthur Lowell (33)}} has posed:'''&amp;lt;br&amp;gt;&amp;lt;span&amp;gt;&amp;lt;/span&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;I can't explain. I can't tell you how or why. But if you care about the Mizuki you met, the girl you've known for a year now, the girl you came here to save, the girl we all learned to care for, then hang on, buckle up, and follow my lead.&amp;quot; Arthur says as he operates his broom in swift and intense motions. &amp;quot;We're leaving. We're going to save her.&amp;quot; Arthur says, kicking his broom up to Critical Warp levels in a huge burst of shimmering magical fire. &amp;quot;Let's do this shit.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:'''{{#var:33|Arthur Lowell (33)}} has posed:'''&amp;lt;br&amp;gt;&amp;lt;span&amp;gt;&amp;lt;/span&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;quot;I can't explain. I can't tell you how or why. But if you care about the Mizuki you met, the girl you've known for a year now, the girl you came here to save, the girl we all learned to care for, then hang on, buckle up, and follow my lead.&amp;quot; Arthur says as he operates his broom in swift and intense motions. &amp;quot;We're leaving. We're going to save her.&amp;quot; Arthur says, kicking his broom up to Critical Warp levels in a huge burst of shimmering magical fire. &amp;quot;Let's do this shit.&amp;quot;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:'''{{#var:33|Arthur Lowell (33)}} has posed:'''&amp;lt;br&amp;gt;&amp;lt;span&amp;gt;&amp;lt;/span&amp;gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;+-------------------------------------------------+--------------------------+&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;lt;span class=&amp;quot; bold_fg_n bg_n ++ h&amp;quot;&amp;gt;KING BROOM SYSTEM&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;lt;span class=&amp;quot; bold_fg_n bg_n ++ h&amp;quot;&amp;gt;SETTINGS AND FUNCTION&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; | &amp;lt;span class=&amp;quot; bold_fg_n bg_y ++ hY&amp;quot;&amp;gt;&amp;amp;gt;&amp;lt;span class=&amp;quot; bold_fg_y bg_n ++ hy&amp;quot;&amp;gt;[X] POSITRON THRUST&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;#160; &amp;#160;  |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  +--------------------------+&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; ,gM00@M~'&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  _g000~&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_g bg_n ++ hg&amp;quot;&amp;gt;[ ] PURGE TO NEXT&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160;  |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; p000'&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;#160; &amp;#160; &amp;lt;span class=&amp;quot; bold_fg_g bg_n ++ hg&amp;quot;&amp;gt;ROCKET STAGE&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  p00P&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160;  _f&amp;#160; &amp;#160;  j00F&amp;#160; &amp;#160; &amp;#160; &amp;#160; _pg00000&amp;amp;g_&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; +--------------------------+&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; _#&amp;#160; &amp;#160; &amp;#160; 000&amp;#160; &amp;#160; &amp;#160;  p000000000000&amp;amp;,&amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; 0f&amp;#160; &amp;#160; &amp;#160; 008&amp;#160; &amp;#160; &amp;#160; 0000@~`&amp;#160; &amp;#160;  ~M00&amp;amp;&amp;#160; &amp;#160; &amp;#160;  | &amp;lt;span class=&amp;quot; bold_fg_n bg_r ++ hR&amp;quot;&amp;gt;&amp;amp;gt;&amp;lt;span class=&amp;quot; bold_fg_r bg_n ++ hr&amp;quot;&amp;gt;[X] BLACK PROTOCOL&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160;  j0&amp;#160; &amp;#160; &amp;#160; j00f&amp;#160; &amp;#160;  000~&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; ~M&amp;amp;&amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160;  00&amp;#160; &amp;#160; &amp;#160; J00f&amp;#160; &amp;#160; j0F&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;quot;&amp;amp;&amp;#160; &amp;#160;  +--------------------------+&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160;  00c&amp;#160; &amp;#160; &amp;#160; 00f&amp;#160; &amp;#160; 40&amp;#160; &amp;#160; &amp;#160;  __&amp;#160; &amp;#160; &amp;#160; &amp;#160;  ^Y&amp;#160; &amp;#160; |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160;  00&amp;amp;&amp;#160; &amp;#160; &amp;#160; #00&amp;#160; &amp;#160; 4f&amp;#160;  _p00000&amp;amp;g&amp;#160; &amp;#160; &amp;#160;  ^&amp;#160; &amp;#160; |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_n bg_n ++ h&amp;quot;&amp;gt;THRUSTER MODES&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160;  #00&amp;#160; &amp;#160; &amp;#160;  #0&amp;amp;&amp;#160;  4I&amp;#160; g0M[[User:Counterclockwise|Counterclockwise]] ([[User talk:Counterclockwise|talk]])M0000g&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; 000&amp;#160; &amp;#160; &amp;#160;  &amp;quot;00g&amp;#160; # #^&amp;#160; &amp;#160; &amp;#160;  &amp;quot;0000g&amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_g bg_n ++ hg&amp;quot;&amp;gt;[X] DASH&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;quot;000,&amp;#160; &amp;#160; &amp;#160;  `~@*-|ag,&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;quot;000g&amp;#160; &amp;#160; &amp;#160;  |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_g bg_n ++ hg&amp;quot;&amp;gt;[X] CRUISE&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160;  &amp;quot;000&amp;amp;,&amp;#160; &amp;#160; &amp;#160; &amp;#160; p'l&amp;#160; ~0&amp;amp;g&amp;#160; &amp;#160; &amp;#160; ^000&amp;#160; &amp;#160; &amp;#160;  |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_g bg_n ++ hg&amp;quot;&amp;gt;[X] CHARGE&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  M000&amp;amp;g,_,gg0' J6&amp;#160;  M0&amp;amp;&amp;#160; &amp;#160; &amp;#160;  00&amp;amp;&amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_g bg_n ++ hg&amp;quot;&amp;gt;[X] SPRINT&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; ^M000000M~&amp;#160;  4#&amp;#160; &amp;#160; #0&amp;amp;&amp;#160; &amp;#160; &amp;#160; 400&amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_y bg_n ++ hy&amp;quot;&amp;gt;[X] ESCAPE VELOCITY&amp;lt;/span&amp;gt;&amp;#160; &amp;#160;  |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160;  `&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; `~`&amp;#160; &amp;#160; &amp;#160; #0&amp;#160; &amp;#160;  00f&amp;#160; &amp;#160; &amp;#160; 00&amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_y bg_n ++ hy&amp;quot;&amp;gt;[X] UNSTOPPABLE FORCE&amp;lt;/span&amp;gt;&amp;#160;  |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; #,&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; j08&amp;#160; &amp;#160;  00&amp;amp;&amp;#160; &amp;#160; &amp;#160; 00&amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_y bg_n ++ hy&amp;quot;&amp;gt;[X] PLAID&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160;  0g&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  _g00'&amp;#160; &amp;#160;  00&amp;amp;&amp;#160; &amp;#160; &amp;#160; 08&amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_r bg_n ++ hr&amp;quot;&amp;gt;[X] UP A GODDAMN NOTCH&amp;lt;/span&amp;gt;&amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; M0p,_&amp;#160; &amp;#160; &amp;#160; _gM000'&amp;#160; &amp;#160;  j00f&amp;#160; &amp;#160; &amp;#160; 0&amp;#160; &amp;#160; &amp;#160;  | &amp;lt;span class=&amp;quot; bold_fg_n bg_r ++ hR&amp;quot;&amp;gt;&amp;amp;gt;&amp;lt;span class=&amp;quot; bold_fg_r bg_n ++ hr&amp;quot;&amp;gt;[X] &amp;lt;span class=&amp;quot;underline fg_n bg_n ++ u&amp;quot;&amp;gt;LET'S DO THIS SHIT&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;lt;/span&amp;gt;&amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160;  &amp;quot;00000MM000000@&amp;#160; &amp;#160; &amp;#160;  #00&amp;#160; &amp;#160; &amp;#160; j'&amp;#160; &amp;#160; &amp;#160;  |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  &amp;quot;M0000000@~&amp;#160; &amp;#160; &amp;#160; &amp;#160; j00F&amp;#160; &amp;#160; &amp;#160; !&amp;#160; &amp;#160; &amp;#160; &amp;#160; +--------------------------+&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; ``&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  p000&amp;#160; &amp;#160; &amp;#160; '&amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  _g00@&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_n bg_n ++ h&amp;quot;&amp;gt;BLENDER MODES&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  ,g000'&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &lt;/del&gt;.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;qgM00MP^&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_g bg_n ++ hg&amp;quot;&amp;gt;[X] STIR&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_g bg_n ++ hg&amp;quot;&amp;gt;[X] CHOP&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_g bg_n ++ hg&amp;quot;&amp;gt;[X] MIX&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  &amp;lt;span class=&amp;quot; bold_fg_n bg_n ++ h&amp;quot;&amp;gt;WARP&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_g bg_n ++ hg&amp;quot;&amp;gt;[X] PUREE&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  &amp;lt;span class=&amp;quot; bold_fg_n bg_n ++ h&amp;quot;&amp;gt;RELEASE CODES&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_g bg_n ++ hg&amp;quot;&amp;gt;[ ] LIQUIFY&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_g bg_n ++ hg&amp;quot;&amp;gt;[ ] CRUSH ICE&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;lt;br /&amp;gt;+------------+--------------+---------------------+&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_y bg_n ++ hy&amp;quot;&amp;gt;[ ] CRUSH BONES&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;lt;br /&amp;gt;|&amp;#160;  &amp;lt;span class=&amp;quot; bold_fg_n bg_n ++ h&amp;quot;&amp;gt;ACTIVE&amp;lt;/span&amp;gt;&amp;#160;  |&amp;#160; &amp;#160; &amp;lt;span class=&amp;quot; bold_fg_n bg_n ++ h&amp;quot;&amp;gt;DANGER&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; |&amp;#160; &amp;#160; &amp;#160; &amp;lt;span class=&amp;quot; bold_fg_n bg_n ++ h&amp;quot;&amp;gt;CRITICAL&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160;  |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_y bg_n ++ hy&amp;quot;&amp;gt;[ ] RIP/TEAR&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;+------------+--------------+---------------------+&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_y bg_n ++ hy&amp;quot;&amp;gt;[ ] ATOMIC DISASSEMBLY&amp;lt;/span&amp;gt;&amp;#160; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_r bg_n ++ hr&amp;quot;&amp;gt;[ ] ANNIHILATION&amp;lt;/span&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;| &amp;lt;span class=&amp;quot;underline bold_fg_g bg_n ++ hug&amp;quot;&amp;gt;**********&amp;lt;/span&amp;gt; | &amp;lt;span class=&amp;quot;underline bold_fg_y bg_n ++ huy&amp;quot;&amp;gt;************&amp;lt;/span&amp;gt; | &amp;lt;span class=&amp;quot;underline bold_fg_r bg_n ++ hur&amp;quot;&amp;gt;*******************&amp;lt;/span&amp;gt; |&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_r bg_n ++ hr&amp;quot;&amp;gt;[ ] LET'S END THIS SHIT&amp;lt;/span&amp;gt; |&amp;lt;br /&amp;gt;|&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  |&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; |&amp;lt;br /&amp;gt;+------------+--------------+---------------------+--------------------------+&lt;/del&gt;&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:'''{{#var:33|Arthur Lowell (33)}} has posed:'''&amp;lt;br&amp;gt;&amp;lt;span&amp;gt;&amp;lt;/span&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;ASCII art redacted&lt;/ins&gt;.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:'''{{#var:33|Arthur Lowell (33)}} has posed:'''&amp;lt;br&amp;gt;&amp;lt;span&amp;gt;&amp;lt;/span&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Arthur blasts off, taking his chosen companions with him. Despite the gravitational stabilization, the sheer force of it is tremendous. Arthur has combined several technologies and magics to make this work, from all kinds of worlds. The thrusters received from White Glint's faction, Zwei's positronic thrusters, Saya's KING SAW mechanisms, and many, many others all rise to life; the sheer acceleration is unrivaled. He intends to blast straight out of the catacombs and emerge from the ground in a violent burst of gravity magic, just adjacent to the Clocktower, and blast head-on towards the clockface, however close it may be. By then, he should be hidden from Apathy.&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Arthur, propelled just at the front of the broom, retrieves one more broom. It's brass and gears, clockwork ticking and bristles churning with strange chronological rhythms. He has locked his senses on the source of a combined chronological and spatial warp. He has set his second broom to channel temporal energies. And he has linked its output to a flickering sickly-green Gate that he'll project as soon as he reaches his destination, a broad circular spirograph with churning cogs lining its borders, wide enough to emcompass the entire clockface and bring the entire group through all at once. The destination is unknown.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:'''{{#var:33|Arthur Lowell (33)}} has posed:'''&amp;lt;br&amp;gt;&amp;lt;span&amp;gt;&amp;lt;/span&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Arthur blasts off, taking his chosen companions with him. Despite the gravitational stabilization, the sheer force of it is tremendous. Arthur has combined several technologies and magics to make this work, from all kinds of worlds. The thrusters received from White Glint's faction, Zwei's positronic thrusters, Saya's KING SAW mechanisms, and many, many others all rise to life; the sheer acceleration is unrivaled. He intends to blast straight out of the catacombs and emerge from the ground in a violent burst of gravity magic, just adjacent to the Clocktower, and blast head-on towards the clockface, however close it may be. By then, he should be hidden from Apathy.&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;&amp;amp;nbsp;Arthur, propelled just at the front of the broom, retrieves one more broom. It's brass and gears, clockwork ticking and bristles churning with strange chronological rhythms. He has locked his senses on the source of a combined chronological and spatial warp. He has set his second broom to channel temporal energies. And he has linked its output to a flickering sickly-green Gate that he'll project as soon as he reaches his destination, a broad circular spirograph with churning cogs lining its borders, wide enough to emcompass the entire clockface and bring the entire group through all at once. The destination is unknown.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l186&quot; &gt;Line 186:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 186:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:'''{{#var:495|Riva Banari (495)}} has posed:'''&amp;lt;br&amp;gt;&amp;lt;span&amp;gt;&amp;lt;/span&amp;gt;Finally, it comes to Riva. She looks over what's been written here, both by the original Author, as well as by her friends. She considers what is left. What else is there to do? What could she say? What will the nature of things be? What permanent mark will she leave on Mizuki's world? &amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;When the time comes, she takes the Quill and hesitates over the paper. Her hand trembles for a moment, her eyes darting over the glittering words. Her expression looks panicked for a moment as she reaches, then stops. &amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;And then reaches. And then stops again. &amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;Did Riva... get writer's block? &amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;She can feel the weight of Doom (with a Capital D) upon them all. This has to be put to an end. &amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;Everything comes to an end.&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;Riva's eyes narrow as she finally begins to write upon the document: &amp;lt;span class=&amp;quot; bold_fg_w bg_n ++ hw&amp;quot;&amp;gt;The Cycles must be broken eventually. Thus it is, upon such time that timer described in the first section activates and the other clauses described after it have been met, that there will be no further Cycles. Mizuki will become conscious of the existence of these writings and be given the ability to write a new story. Her own story. She may be given the assistance of anyone who wishes to help her in that story, in whatever manner they wish to participate, should she wish to include them.&amp;lt;/span&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  &amp;lt;span class=&amp;quot; bold_fg_w bg_n ++ hw&amp;quot;&amp;gt;- Riva Banari&amp;lt;/span&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;As she completes her writing, she steps back, her hand shaking as she almost pushes the quill back towards Arthur. &amp;quot;I never want to do this again.&amp;quot; She says, simply.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:'''{{#var:495|Riva Banari (495)}} has posed:'''&amp;lt;br&amp;gt;&amp;lt;span&amp;gt;&amp;lt;/span&amp;gt;Finally, it comes to Riva. She looks over what's been written here, both by the original Author, as well as by her friends. She considers what is left. What else is there to do? What could she say? What will the nature of things be? What permanent mark will she leave on Mizuki's world? &amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;When the time comes, she takes the Quill and hesitates over the paper. Her hand trembles for a moment, her eyes darting over the glittering words. Her expression looks panicked for a moment as she reaches, then stops. &amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;And then reaches. And then stops again. &amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;Did Riva... get writer's block? &amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;She can feel the weight of Doom (with a Capital D) upon them all. This has to be put to an end. &amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;Everything comes to an end.&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;Riva's eyes narrow as she finally begins to write upon the document: &amp;lt;span class=&amp;quot; bold_fg_w bg_n ++ hw&amp;quot;&amp;gt;The Cycles must be broken eventually. Thus it is, upon such time that timer described in the first section activates and the other clauses described after it have been met, that there will be no further Cycles. Mizuki will become conscious of the existence of these writings and be given the ability to write a new story. Her own story. She may be given the assistance of anyone who wishes to help her in that story, in whatever manner they wish to participate, should she wish to include them.&amp;lt;/span&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;&amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160; &amp;#160;  &amp;lt;span class=&amp;quot; bold_fg_w bg_n ++ hw&amp;quot;&amp;gt;- Riva Banari&amp;lt;/span&amp;gt;&amp;lt;br /&amp;gt;&amp;lt;br /&amp;gt;As she completes her writing, she steps back, her hand shaking as she almost pushes the quill back towards Arthur. &amp;quot;I never want to do this again.&amp;quot; She says, simply.&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|&amp;lt;span class=&amp;quot; bold_fg_r bg_n ++ hr&amp;quot;&amp;gt;[ ] LET'S END THIS SHIT&amp;lt;/span&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|&amp;lt;br /&amp;gt;+------------+--------------+---------------------+&amp;#160; &amp;lt;span class=&amp;quot; bold_fg_y bg_n ++ hy&amp;quot;&amp;gt;[ ] ATOMIC DISASSEMBLY&amp;lt;/span&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Lord English</name></author>	</entry>

	<entry>
		<id>https://multiversemush.com/mw/index.php?title=1944/CatP_-_Finale_II&amp;diff=8303&amp;oldid=prev</id>
		<title>Counterclockwise: Created page with &quot;{{Log Header |Date of Scene=2015/04/03 |Location=A Quiet World |Synopsis=Hickory dickory dock,  The mouse ran up the clock.  The clock struck one,  The mouse ran down,  Hickor...&quot;</title>
		<link rel="alternate" type="text/html" href="https://multiversemush.com/mw/index.php?title=1944/CatP_-_Finale_II&amp;diff=8303&amp;oldid=prev"/>
				<updated>2015-04-05T04:45:08Z</updated>
		
		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{Log Header |Date of Scene=2015/04/03 |Location=A Quiet World |Synopsis=Hickory dickory dock,  The mouse ran up the clock.  The clock struck one,  The mouse ran down,  Hickor...&amp;quot;&lt;/p&gt;
&lt;a href=&quot;https://multiversemush.com/mw/index.php?title=1944/CatP_-_Finale_II&amp;amp;diff=8303&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Counterclockwise</name></author>	</entry>

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